Choose an application

• Reference Manager
• EndNote
• RefWorks (Direct export to RefWorks)

Art History: The Basics is a concise and accessible introduction for the general reader and the undergraduate approaching the history of art for the first time at college or university

Art. --- Art --- Art, Occidental --- Art, Visual --- Art, Western (Western countries) --- Arts, Fine --- Arts, Visual --- Fine arts --- Iconography --- Occidental art --- Visual arts --- Western art (Western countries) --- Arts --- Aesthetics --- Art, Primitive

Choose an application

• Reference Manager
• EndNote
• RefWorks (Direct export to RefWorks)

Cette introduction à la philosophie de l'art du XVIIIe siècle retrace les grandes lignes de pensée de la théorie esthétique telle qu'elle prend formes à la fin du XVlle et au XVllle siècle. Le principe fondamental de l'art à l'époque classique, l'imitation, forme point de départ de la réflexion. L'imitation, principe fondamental de l'art à l'époque classique, forme le point de départ de la réflexion. Dans l'ouvrage principal de la théorie esthétique du XVllle siècle, Les Beaux-arts réduits à un même principe de l'abbé Batteux (1746), l'imitation est présentée comme une relation entre deux pôles, les beaux-arts d'une part, la nature d'autre part. Ces deux versants du processus imitatif forment les deux grands volets du présent ouvrage. Un chapitre central est consacré à la relation particulière entre les arts et la nature telle que l'impose la conception classique de l'imitation. Cette relation est pensée en termes de vraisemblance. En montrant la façon dont la mimésis classique se pense et se repense au XVIIIe siècle, et en mettant en lumière, de part et d'autre de l'ouvrage " classique " de l'abbé Batteux, l'apport fondamental de l'abbé Du Bos en 1719 et de Diderot pour la seconde moitié du siècle, cet ouvrage permet aux non-spécialistes de l'époque classique de se repérer dans le vaste champ de réflexion sur l'art du XVIIIe siècle et de comprendre les mutations qui s'y font jour.

Aesthetics --- anno 1700-1799 --- Aesthetics, French --- Art --- Philosophy --- History --- Art, Occidental --- Art, Visual --- Art, Western (Western countries) --- Arts, Fine --- Arts, Visual --- Fine arts --- Iconography --- Occidental art --- Visual arts --- Western art (Western countries) --- Arts --- Art, Primitive --- Aesthetics, French - 18th century --- Art - Philosophy - History - 18th century --- Esthétique --- Imitation (art) --- Philosophie --- 18e siècle

Choose an application

• Reference Manager
• EndNote
• RefWorks (Direct export to RefWorks)

Art --- Exhibitions --- Art, Occidental --- Art, Visual --- Art, Western (Western countries) --- Arts, Fine --- Arts, Visual --- Fine arts --- Iconography --- Occidental art --- Visual arts --- Western art (Western countries) --- Arts --- Aesthetics --- Oceania --- Civilization --- 78.37 --- 78.33.5 --- 78.04.3 Bruxelles --- 78.04.3 Brussel --- 78.04.3 Brussels --- 702.3 --- Art, Primitive --- Art - Oceania - Exhibitions

Choose an application

• Reference Manager
• EndNote
• RefWorks (Direct export to RefWorks)

Aesthetics --- Art --- Aesthetics. --- Art. --- Art, Daghestan --- Art, Occidental --- Art, Visual --- Art, Western (Western countries) --- Arts, Fine --- Arts, Visual --- Fine arts --- Iconography --- Occidental art --- Visual arts --- Western art (Western countries) --- Beautiful, The --- Beauty --- Esthetics --- Taste (Aesthetics) --- Arts --- Philosophy --- Criticism --- Literature --- Proportion --- Symmetry --- Psychology --- Radio broadcasting Aesthetics --- Art, Primitive

Choose an application

• Reference Manager
• EndNote
• RefWorks (Direct export to RefWorks)

weerslag van de wetenschappelijke artikelen nav de conferentie 'Plastics: Looking at the Future & Learning from the Past23rd - 25th May, Victoria & Albert Museum, London, 2007'Over the course of the past 150 years, the development and use of artificial plastics has burgeoned. Plastics are now ubiquitous and unavoidable, from the plastic bag and other items with functional uses - such as household, office, electrical appliances and clothing - to works of art including sculpture, tapestries etc. The myriad of different plastic-based materials and the ways in which they have been treated before, during and after manufacture can leave the conservator, artist and collections manager bewildered as to their identification and hence appropriate treatment and prognosis for any particular object.This volume of papers from a conference held at the Victoria and Albert Museum is intended as a 'marker in the sand', a record of current perceptions and considerations of plastics within museum collections - their importance and problems (inter alia of insurance, pollution, display, decay and conservation).

conservering --- plastic --- eigen tijd --- Plastics as art material --- Art --- Conservation and restoration --- Conferences - Meetings --- Plastics in art --- Artists' materials --- Art, Occidental --- Art, Visual --- Art, Western (Western countries) --- Arts, Fine --- Arts, Visual --- Fine arts --- Iconography --- Occidental art --- Visual arts --- Western art (Western countries) --- Arts --- Aesthetics --- kunststof --- Art, Primitive